The Frescobaldi Thematic Catalogue Online

F 10.01 Canzon Prima detta la Rovetta
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 10.02 Canzon Seconda detta la Sabbatina
Composer: Frescobaldi
Key/Signature: D /♭
Scoring: Keyboard
[Full Record]

F 10.03 Canzon Terza detta la Crivelli
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 10.04 Canzon Quarta detta la Scacchi
Composer: Frescobaldi
Key/Signature: C /♭
Scoring: Keyboard
[Full Record]

F 10.05 Canzon Quinta detta la Bellerofonte
Composer: Frescobaldi
Key/Signature: F /♮
Scoring: Keyboard
[Full Record]

F 10.06 Canzon Sesta detta la Pesenti
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 10.07 Canzon Settima detta la Tarditi
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 10.08 Canzon Ottava detta la Vincenti
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 10.09 Canzon Nona detta la Querina
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 10.10 Canzon Decima detta la Paulini
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 10.11 Canzon Undecima detta la Gardana
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

CANZONI (1645)
Notes: The CANZONI (1645) were published posthumously, and in his preface, the publisher Alessandro Vincenti states that he obtained the pieces only after the composer’s death. He designated the volume as Libro IV, perhaps thinking of the Recercari et canzoni of 1615 and the ensemble canzoni published in 1628 and 1634. Some have questioned the connection between Frescobaldi and these canzonas because of a number of anomalous features [Silbiger (1980-1), 188-189], but most scholars accept them as authentic.
[Full Record]