The Frescobaldi Thematic Catalogue Online

The Frescobaldi Thematic Catalogue Online

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Toccate I (1616)

Full Title: Girolamo Frescobaldi, Toccate e partite d’intavolatura di cimbalo (Rome: Borboni, 1616)

Provenance and Date: Rome, 1616
Time Frame: 1600-1650
RISM ID: F 1856 / F 1857

Notes: For modern editions, facsimiles, and literature, and for related early editions and manuscripts, see TOCCATE I in the Canonical Publications.

+- Compositions in Source

F 2.01 Toccata prima
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.02 Toccata seconda
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.03 Toccata terza
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.04 Toccata quarta
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.05 Toccata quinta
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
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F 2.06 Toccata sesta
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
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F 2.07 Toccata settima
Composer: Frescobaldi
Key/Signature: D /♭
Scoring: Keyboard
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F 2.08 Toccata ottava
Composer: Frescobaldi
Key/Signature: F /♮
Scoring: Keyboard
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F 2.09 Toccata nona
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
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F 2.10 Toccata decima
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
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F 2.11 Toccata undecima
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
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F 2.12 Toccata duodecima
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
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F 2.13 Partite sopra l’aria della Romanesca.
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.01 Partite sopra l’aria della Romanesca. Prima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.02 Partite sopra l’aria della Romanesca. Seconda parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.03 Partite sopra l’aria della Romanesca. Terza parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.04 Partite sopra l’aria della Romanesca. Quarta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.05 Partite sopra l’aria della Romanesca. Quinta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.06 Partite sopra l’aria della Romanesca. Sesta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.07 Partite sopra l’aria della Romanesca. Settima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.08 Partite sopra l’aria della Romanesca. Ottava parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.09 Partite sopra l’aria della Romanesca. Nona parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.10 Partite sopra l’aria della Romanesca. Decima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.11 Partite sopra l’aria della Romanesca. Undecima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.12 Partite sopra l’aria della Romanesca. Duodecima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.13 Partite sopra l’aria della Romanesca. Terzadecima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.13.14 Partite sopra l’aria della Romanesca. Quartadecima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.14 Partite sopra la Monica
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.14.01 Partite sopra la Monica. Prima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.14.02 Partite sopra la Monica. Seconda parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.14.03 Partite sopra la Monica. Terza parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.14.04 Partite sopra la Monica. Quarta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.14.05 Partite sopra la Monica. Quinta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.14.06 Partite sopra la Monica. Sesta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.14.07 Partite sopra la Monica. Settima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.14.08 Partite sopra la Monica. Ottava parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.14.09 Partite sopra la Monica. Nona parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.14.10 Partite sopra la Monica. Decima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.14.11 Partite sopra la Monica. Undecima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.15 Partite sopra Ruggiero
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
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F 2.15.01 Partite sopra Ruggiero. Prima parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
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F 2.15.02 Partite sopra Ruggiero. Seconda parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.03 Partite sopra Ruggiero. Terza parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.04 Partite sopra Ruggiero. Quarta parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.05 Partite sopra Ruggiero. Quinta parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.06 Partite sopra Ruggiero. Sesta parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.07 Partite sopra Ruggiero. Settima parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.08 Partite sopra Ruggiero. Ottava parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.09 Partite sopra Ruggiero. Nona parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.10 Partite sopra Ruggiero. Decima parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.11 Partite sopra Ruggiero. Undecima parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.15.12 Partite sopra Ruggiero. Duodecima parte
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.16 Partite sopra Folia
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.16.01 Partite sopra Folia. Prima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.16.02 Partite sopra Folia. Seconda parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.16.03 Partite sopra Folia. Terza parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.16.04 Partite sopra Folia. Quarta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.16.05 Partite sopra Folia. Quinta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.16.06 Partite sopra Folia. Sesta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.17 Corrente prima
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
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F 2.18 Corrente seconda
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
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F 2.19 Corrente terza
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 2.20 Corrente quarta
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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+- Canonical Publications

TOCCATE I (1615-1637)
Notes: The two volumes of TOCCATE were widely distributed and often copied. Their composition and publication histories are, however, complex and confusing. Some of the reported “editions” are merely reprints with a new or updated title page. On the other hand, surviving exemplars of a single edition are not always identical. The following three editions of TOCCATE I are considered distinct sources because of significant differences in their content, as shown here after their short titles: Toccate I (1615): F 2.01 to F 2.12 and F 2.35 to F 2.37, Toccate I (1616): F 2.01 to F. 2.20, Toccate I (1637): F 2.01 to F 2.34. A second edition was issued in 1618 and a third one in 1628, but their content does not differ from the edition of 1616. More details in the cited references, particularly in Darbellay (1988), Hammond (1983) and (2002), Silbiger (2014) and in the critical commentary to the Stembridge 1.2 edition.
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