The Frescobaldi Thematic Catalogue Online

The Frescobaldi Thematic Catalogue Online

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ToccateII (1637)

Full Title: Girolamo Frescobaldi, Il secondo libro di toccate, canzone, versi d’hinni, magnificat, gagliarde, correnti, et altre partite d’intavolatura di cimbalo et organo (Rome: Borboni, 1637)

Provenance and Date: Rome, 1637
Time Frame: 1600-1650
RISM ID: F 1867

Notes: For modern editions, facsimiles, and literature, and for related early editions and manuscripts, see TOCCATE II in the Canonical Publications.

+- Compositions in Source

F 3.01 Toccata prima
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 3.02 Toccata seconda
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 3.03 Toccata terza per l’organo da sonarsi all’elevazione
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
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F 3.04 Toccata quarta per l’organo da sonarsi all’elevazione
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 3.05 Toccata quinta sopra i pedali per l’organo, e senza
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 3.06 Toccata sesta per l’organo sopra i pedali, e senza
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 3.07 Toccata settima
Composer: Frescobaldi
Key/Signature: D /♭
Scoring: Keyboard
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F 3.08 Toccata ottava di durezze e legature
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
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F 3.09 Toccata nona
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 3.10 Toccata decima
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
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F 3.11 Toccata undecima
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
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F 3.12 “Ancidetemi Pur” d’Arcadelt passaggiato
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
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F 3.13 Canzona prima
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 3.14 Canzona seconda
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.15 Canzona terza
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 3.16 Canzona quarta
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 3.17 Canzona quinta
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.18 Canzona sesta
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.19 Inno della Domenica
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
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F 3.20 Inno degli Apostoli
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 3.21 Inno Iste confessor
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 3.22 Inno Ave maris stella
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
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F 3.23 Magnificat primi toni
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
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F 3.24 Magnificat secundi toni
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 3.25 Magnificat sexti toni
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 3.26 Aria detta balletto
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.01 Aria detta balletto. Prima parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.02 Aria detta balletto. Seconda parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.03 Aria detta balletto. Terza parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.04 Aria detta balletto. Quarta parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.04 Aria detta balletto. Quarta parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.05 Aria detta balletto. Quinta parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.06 Aria detta balletto. Sesta parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.07 Aria detta balletto. Settima parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.26.08 Aria detta balletto. Ottava et ultima parte
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
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F 3.27 Gagliarda prima
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 3.28 Gagliarda seconda
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 3.29 Gagliarda terza
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 3.30 Gagliarda quarta
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 3.31 Gagliarda quinta
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 3.32 Aria detta la Frescobalda
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 3.32.01 Aria detta la Frescobalda. Prima parte
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 3.32.02 Aria detta la Frescobalda. Seconda parte
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 3.32.03 Aria detta la Frescobalda. Terza parte. Gagliarda
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 3.32.04 Aria detta la Frescobalda. Quarta parte
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 3.32.05 Aria detta la Frescobalda. Quinta parte. Corrente
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
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F 3.33 Corrente prima
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 3.34 Corrente seconda
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
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F 3.35 Corrente seconda alio modo
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
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F 3.36 Corrente quarta
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 3.37 Corrente quinta
Composer: Frescobaldi
Key/Signature: F /♮
Scoring: Keyboard
[Full Record]

F 3.38 Corrente sesta
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

+- Canonical Publications

TOCCATE II (1627-1637)
Notes: See the Notes on TOCCATE I.(1615-1637).The following two editions of Toccate II are considered distinct sources here because of differences in their content, as shown below: Toccate II (1627): F 3.01 to 3.40, Toccate II (1637): F 3.02 to 3.38. (F 3.39 and F 3.40 were removed.)
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