The Frescobaldi Thematic Catalogue Online

The Frescobaldi Thematic Catalogue Online

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Garofalo

Full Title: New York, former private collection Garofalo,

Provenance and Date: Early 18c
Time Frame: 1700-1800

Notes: This manuscript, probably dating from the early eighteenth century, was acquired “from an intinerant second-hand bookseller” by the noted composer and conductor Carlo Giorgio Garofalo (1886-1962), and passed on to his son Marcello Garofalo, who in 1983 sold it to the antiquariat of Wurlitzer-Bruck. Its present location is unknown, but Marcello Garofalo still possesses a photocopy of the manuscript. In his 1922 article, Carlo Giorgio Garofalo described the content of the manuscript as containing “27 fughe a 3 e 4 voci, una Sonata col flautina in la maggiore, un’Elevazione in sol minore, [e] 19 canzoni, in capo all prima delle quali leggasi Canzone P.a Frescobaldi.” Marcello Garofalo very kindly placed at our disposal a partial photocopy of the MS (beginning with the alleged Frescobaldi canzonas on p. 57), as well as a copy of an edition that his father had prepared for publication, but which was never published. Among the 19 canzonas are copies of F 4.08, F 10.02, and F 10.11. The other 16 canzonas are not known from other sources. F 16.51 and F 16.62 through F 16.66 might be by Frescobaldi; the others are likely of a later vintage.

+- Compositions in Source

F
Composer:
Key/Signature:
Scoring:
[Full Record]

F
Composer:
Key/Signature:
Scoring:
[Full Record]

F
Composer:
Key/Signature:
Scoring:
[Full Record]

F 4.10 Capriccio X sopra un soggetto
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 10.02 Canzon Seconda detta la Sabbatina
Composer: Frescobaldi
Key/Signature: D /♭
Scoring: Keyboard
[Full Record]

F 10.11 Canzon Undecima detta la Gardana
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 16.51 Canzona prima
Composer: Frescobaldi (possibly)
Key/Signature: C /♭
Scoring: Keyboard
[Full Record]

F 16.52 Canzona seconda
Composer: Frescobaldi (doubtful)
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 16.53 Canzona terza
Composer: Frescobaldi (doubtful)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 16.54 Canzona quarta
Composer: Frescobaldi (doubtful)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 16.55 Canzona quinta
Composer: Frescobaldi (doubtful)
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 16.56 Canzona sesta
Composer: Frescobaldi (doubtful)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 16.57 Canzona settima
Composer: Frescobaldi (doubtful)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 16.58 Canzona ottava
Composer: Frescobaldi (doubtful)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 16.59 Canzona nona
Composer: Frescobaldi (doubtful)
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 16.60 Canzona decima
Composer: Frescobaldi (doubtful)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 16.61 Canzona undecima
Composer: Frescobaldi (doubtful)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 16.62 Canzona decima terza
Composer: Frescobaldi (possibly)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 16.63 Canzona decima quinta
Composer: Frescobaldi (possibly)
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 16.64 Canzona decima sesta
Composer: Frescobaldi (possibly)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 16.65 Canzona decima settima
Composer: Frescobaldi (possibly)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 16.66 Canzona decima ottava
Composer: Frescobaldi (possibly)
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

+- Canonical Publications

CANZONI (1645)
Notes: The CANZONI (1645) were published posthumously, and in his preface, the publisher Alessandro Vincenti states that he obtained the pieces only after the composer’s death. He designated the volume as Libro IV, perhaps thinking of the Recercari et canzoni of 1615 and the ensemble canzoni published in 1628 and 1634. Some have questioned the connection between Frescobaldi and these canzonas because of a number of anomalous features [Silbiger (1980-1), 188-189], but most scholars accept them as authentic.
[Full Record]

CAPRICCI (1624-1642)
Notes: The entire content of RECERCARI was appended to the second, 1626 edition of the CAPRICCI. Furthermore, one work from the 1624 edition, F 4.07, was removed. No changes of content were introduced in the subsequent editions of 1628 and 1642, although the later editions differ in small details; see Darbellay (1988). A photographic copy of Capricci (1624) can be seen at: http://imslp.info/files/imglnks/usimg/a/ae/IMSLP88760-PMLP181692-Frescobaldi_CapricciBook1.pdf
[Full Record]

+- Literature

Garofalo (1922)
Garofalo, Carlo Giorgio. “Un scoperta importante di musiche inedite ed ignorate.” Rivista nazionale di musica 3 (1922): 307–309.
Date Published: 1922
Pages:
[Full Record]

Hammond (1983)
Hammond, Frederick. Girolamo Frescobaldi. Cambridge, MA: Harvard University Press, 1983.
Date Published: 1983
Pages: 293
[Full Record]

Silbiger (1980-1)
Silbiger, Alexander. Italian Manuscript Sources of 17th Century Keyboard Music, Studies in Musicology. Ann Arbor, Mich.: UMI Research Press, 1980.
Date Published: 1980
Pages: 147, 205
[Full Record]

+- Modern Editions

Garofalo
[unpublished manuscript:] Frescobaldi, Girolamo. 19 Canzoni. 3 edite (12-17-19) – 16 inedite trascritte per pianoforte, ed. Carlo Giorgio Garofalo. Unpublished MS, © Rome and New York, 1963.
Date Published:
[Full Record]