The Frescobaldi Thematic Catalogue Online

Darbellay (2010)

Darbellay, Étienne. “The Manuscript Chigi Q.IV.24 of the Biblioteca Apostolica Vaticana as Frescobaldian Source: New Criteria for Authenticity.“ In Fiori Musicali: Liber Amicorum Alexander Silbiger, edited by Claire Anne Fontijn and Susan Helen Parisi, 23-37. Detroit Monographs in Musicology/Studies in Music. Sterling Heights, MI: Harmonie Park Press, 2010.

Date Published: 2010

+- Compositions Referenced

F 2.29 Cento partite sopra passacagli
Composer: Frescobaldi
Key/Signature: D /♮to E /♮
Scoring: Keyboard
[Full Record]

F 3.26 Aria detta balletto
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 13.17 [Balletto]
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 13.24 Aria detta la Frescobalda
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 14.43 [Corrente]
Composer: Frescobaldi (probably)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 14.46 Balletto
Composer: Frescobaldi (probably)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 14.47 Ciaccona
Composer: Frescobaldi (probably)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 14.49 Passagalli [incomplete]
Composer: Frescobaldi (probably)
Key/Signature: D /♮to G /♭
Scoring: Keyboard
[Full Record]

+- Sources Referenced

Chigi Q.IV.24
Rome, Biblioteca Apostolica Vaticana, Chigi, Q. IV. 24

Provenance and Date: Rome, 1636-1637
Time Frame: 1600-1650
Notes: This manuscript is in the hand of Frescobaldi’s assistant, Leonardo Castellani.
[Full Record]

Paris 64
Paris, Bibliothèque nationale de France, Rés. Vmc. ms. 64

Provenance and Date: Rome, 1607-1637
Time Frame: 1600-1650
Notes: Jeanneret (2015) determined this manuscript to be in the hand of Frescobaldi.
[Full Record]