The Frescobaldi Thematic Catalogue Online

The Frescobaldi Thematic Catalogue Online

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Pidoux 3

Frescobaldi, Girolamo. Das erste Buch der Toccaten, Partiten usw. 1637. Orgel- und Klavierwerke 3, ed. Pierre Pidoux. Kassel: Bärenreiter-Verlag, 1948.

Date Published: 1948

+- Compositions Referenced

F 2.01 Toccata prima
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.02 Toccata seconda
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.03 Toccata terza
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.04 Toccata quarta
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.05 Toccata quinta
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 2.06 Toccata sesta
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 2.07 Toccata settima
Composer: Frescobaldi
Key/Signature: D /♭
Scoring: Keyboard
[Full Record]

F 2.08 Toccata ottava
Composer: Frescobaldi
Key/Signature: F /♮
Scoring: Keyboard
[Full Record]

F 2.09 Toccata nona
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 2.10 Toccata decima
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 2.11 Toccata undecima
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 2.12 Toccata duodecima
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 2.13 Partite sopra l’aria della Romanesca.
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.14 Partite sopra la Monica
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.15 Partite sopra Ruggiero
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.16 Partite sopra Folia
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.17 Corrente prima
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 2.18 Corrente seconda
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 2.19 Corrente terza
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

F 2.20 Corrente quarta
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 2.21 Balletto
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 2.22 Corrente del Balletto
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 2.23 Passacagli
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 2.29 Cento partite sopra passacagli
Composer: Frescobaldi
Key/Signature: D /♮to E /♮
Scoring: Keyboard
[Full Record]

F 2.30 Capriccio del Soggetto scritto sopra l’aria di Roggiero
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.31 Capriccio sopra la Battaglia
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 2.33.01 Corrente
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 2.33.02 Ciaccona
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 2.34 Capriccio pastorale
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

+- Canonical Publications Referenced

TOCCATE I (1615-1637)
Notes: The two volumes of TOCCATE were widely distributed and often copied. Their composition and publication histories are, however, complex and confusing. Some of the reported “editions” are merely reprints with a new or updated title page. On the other hand, surviving exemplars of a single edition are not always identical. The following three editions of TOCCATE I are considered distinct sources because of significant differences in their content, as shown here after their short titles: Toccate I (1615): F 2.01 to F 2.12 and F 2.35 to F 2.37, Toccate I (1616): F 2.01 to F. 2.20, Toccate I (1637): F 2.01 to F 2.34. A second edition was issued in 1618 and a third one in 1628, but their content does not differ from the edition of 1616. More details in the cited references, particularly in Darbellay (1988), Hammond (1983) and (2002), Silbiger (2014) and in the critical commentary to the Stembridge 1.2 edition.
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