The Frescobaldi Thematic Catalogue Online

F 2.13 Partite sopra l’aria della Romanesca.
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.17 Corrente prima
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
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F 2.18 Corrente seconda
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
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F 3.14 Canzona seconda
Composer: Frescobaldi
Key/Signature: C /♮
Scoring: Keyboard
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F 3.27 Gagliarda prima
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
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F 4.03 Capriccio III sopra il Cucho
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
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F 4.10 Capriccio X sopra un soggetto
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
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F 15.16a Corrente
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
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F 15.16b Corrente
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
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F 15.16c Corrente
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
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F 15.17 Capriccio
Composer: Frescobaldi (possibly)
Key/Signature: G /♮
Scoring: Keyboard
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F 15.18 Capriccio
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
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F 15.19 Canzon
Composer: Frescobaldi (possibly)
Key/Signature: G /♮
Scoring: Keyboard
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F 15.20 Verso
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
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F 15.59 Corrente
Composer: Frescobaldi (possibly)
Key/Signature: G /♭
Scoring: Keyboard
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CAPRICCI (1624-1642)
Notes: The entire content of RECERCARI was appended to the second, 1626 edition of the CAPRICCI. Furthermore, one work from the 1624 edition, F 4.07, was removed. No changes of content were introduced in the subsequent editions of 1628 and 1642, although the later editions differ in small details; see Darbellay (1988). A photographic copy of Capricci (1624) can be seen at: http://imslp.info/files/imglnks/usimg/a/ae/IMSLP88760-PMLP181692-Frescobaldi_CapricciBook1.pdf
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TOCCATE I (1615-1637)
Notes: The two volumes of TOCCATE were widely distributed and often copied. Their composition and publication histories are, however, complex and confusing. Some of the reported “editions” are merely reprints with a new or updated title page. On the other hand, surviving exemplars of a single edition are not always identical. The following three editions of TOCCATE I are considered distinct sources because of significant differences in their content, as shown here after their short titles: Toccate I (1615): F 2.01 to F 2.12 and F 2.35 to F 2.37, Toccate I (1616): F 2.01 to F. 2.20, Toccate I (1637): F 2.01 to F 2.34. A second edition was issued in 1618 and a third one in 1628, but their content does not differ from the edition of 1616. More details in the cited references, particularly in Darbellay (1988), Hammond (1983) and (2002), Silbiger (2014) and in the critical commentary to the Stembridge 1.2 edition.
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TOCCATE II (1627-1637)
Notes: See the Notes on TOCCATE I.(1615-1637).The following two editions of Toccate II are considered distinct sources here because of differences in their content, as shown below: Toccate II (1627): F 3.01 to 3.40, Toccate II (1637): F 3.02 to 3.38. (F 3.39 and F 3.40 were removed.)
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Apel (1962)
Apel, Willi. “Die handschriftliche Überlieferung der Klavierwerke Frescobaldis.” In Festschrift Karl Gustav Fellerer zum sechzigsten Geburtstag, edited by Heinrich Hüschen, 40-45. Regensburg: Bosse, 1962.
Date Published: 1962
Pages: 42
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Hammond (1983)
Hammond, Frederick. Girolamo Frescobaldi. Cambridge, MA: Harvard University Press, 1983.
Date Published: 1983
Pages: 294
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Hammond (2002)
Hammond, Frederick. Girolamo Frescobaldi. Trans. Roberto Pagano. Palermo: L’Epos, 2002.
Date Published: 2002
Pages: 381-382
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Hammond (2020)
Hammond, Frederick. Girolamo Frescobaldi: An Extended Biography. http://girolamofrescobaldi.com, updated 1/2020.
Date Published: 2020
Pages: 165
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Jeanneret (2009)
Jeanneret, Christine. L'œuvre en filigrane: Une étude philologique des manuscrits de musique pour clavier à Rome au XVIIe Siècle, Historiae Musicae Cultores, 116. Florence: Olschki, 2009.
Date Published: 2009
Pages: 246-256
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Mischiati (1985)
Mischiati, Oscar and Luigi Ferdinando Tagliavini. La prassi musicale presso i canonici regolari del SS. Salvatore. Rome: Torre d’Orfeo, 1985.
Date Published: 1985
Pages:
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Silbiger (1980-1)
Silbiger, Alexander. Italian Manuscript Sources of 17th Century Keyboard Music, Studies in Musicology. Ann Arbor, Mich.: UMI Research Press, 1980.
Date Published: 1980
Pages: 111-112, 154, 159-160
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Silbiger (1987-3)
Silbiger, Alexander, ed. Vatican, Ravenna, Biblioeca Classense, MS Classense 545, 17th Century Keyboard Music 18,. New York: Garland Pub., 1987.
Date Published: 1987
Pages: V-xiii
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Rambaldi
Rambaldi, Silvia and Barbara Cipollone, eds. Libro di fra Gioseffo da Ravenna (Manoscritto I-RAc Ms Classense 545), Collana Editoriale 16. Bologna: Bardi, 1999.
Date Published: 1999
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SCKM 12
Silbiger, Alexander, ed. Ravenna, Biblioteca Comunale Classense, MS Classense 545, 17th Century Keyboard Music 12. New York: Garland Pub., 1987.
Date Published: 1987
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Shindle-Frescobaldi
Frescobaldi, Girolamo. Keyboard Compositions Preserved in Manuscripts. 3 vols. Corpus of Early Keyboard Music 30. Ed. W. Richard Shindle. [Dallas]: American Institute of Musicology, 1968/1982.
Date Published: 1968
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