The Frescobaldi Thematic Catalogue Online

F 13.16 Corrente
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 13.24 Aria detta la Frescobalda
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 13.30 [untitled]
Composer: Frescobaldi (disputed)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 13.31 Avignon corrente
Composer: Frescobaldi (disputed)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 13.34 [untitled fragment]
Composer: Frescobaldi (disputed)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 13.35.02 2o [tono]
Composer: Frescobaldi (disputed)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 13.36S Alleluia [1]
Composer: Virgilio Mazzocchi
Key/Signature: A /♮
Scoring: C, C, Bc
[Full Record]

F 13.37S Alleluia [2] [fragment]
Composer: Virgilio Mazzocchi
Key/Signature: C /♮
Scoring: C, C, Bc
[Full Record]

F 13.38S Omnes santci
Composer: Virgilio Mazzocchi
Key/Signature: G /♭
Scoring: C, C, B, Bc
[Full Record]

F 13.39 Arpeggiate
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 14.02.01 Toccata per organo
Composer: Frescobaldi (probably)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 14.61 Balletto
Composer: Frescobaldi (disputed)
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 14.62 Corrente
Composer: Frescobaldi (disputed)
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 14.64.01 Ruggiero
Composer: Frescobaldi (probably)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 14.70 Toccata
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 14.71 Corrente
Composer: Frescobaldi (possibly)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.01 Corrente
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.45 [Tocate per l’] elevatione [1]
Composer: Frescobaldi (possibly)
Key/Signature: D /♭
Scoring: Keyboard
[Full Record]

F 15.46 [Tocate per l’] elevatione [2]
Composer: Frescobaldi (possibly)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.47 [Untitled]
Composer: Frescobaldi (possibly)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

Altdorf 96/1
Altdorf, Staatsarchiv Uri, P-96/1

Provenance and Date: Solothurn, late 17c
Time Frame: 1650-1700
RISM ID:
[Full Record]

Ancona 41
Ancona, Biblioteca comunale, Ms. mus. 41

Provenance and Date: Ancona, after 1660
Time Frame: 1650-1700
[Full Record]

Assisi 617
Assisi, Biblioteca del Sacro Convento, Ms. Mus. 617

Provenance and Date: Assisi (?), after 1635
Time Frame: 1600-1650
[Full Record]

Barb. lat. 4181
Rome, Biblioteca Apostolica Vaticana, Barb. lat. 4181

Provenance and Date: Rome, 1640-1643
Time Frame: 1600-1650
Notes: Scribe: Frescobaldi according to Jeanneret, but her identification has been disputed by Annibaldi (2012-2) and Annibaldi (2013)). See also Jeanneret (2013) for a response.
[Full Record]

Barb. lat. 4182
Rome, Biblioteca Apostolica Vaticana, Barb. lat. 4182

Provenance and Date: Rome, 1640-1643
Time Frame: 1600-1650
Notes: See Comments to Barb. lat.4181
[Full Record]

Berlin 40615
Berlin, Staatsbibliotek, Mus. Ms. 40615

Provenance and Date: Aspern an der Zaya (Austria), 1655
Time Frame: 1650-1700
Notes: From the Minorite monastery in Aspern an der Zaya (Lower Austria); see Riedel (1987). Inscription on f. 1: “Anno 1655/ Die 19 Aprilis Infra Scripto.”
[Full Record]

Berlin L122
Berlin, Staatsbibliothek, Ms. Landsberg 122

Provenance and Date: Northern Italy (Bologna?), after 1650
Time Frame: 1650-1700
[Full Record]

Bologna AA/360
Bologna, Museo internazionale e biblioteca della musica, Mus. AA/360

Provenance and Date: Mantua, 1640-1681
Time Frame: 1650-1700
[Full Record]

Bologna DD/53
Bologna, Museo internazionale e biblioteca della musica, DD/53

Provenance and Date: Bologna, late 17c -early 18c
Time Frame: 1650-1700
[Full Record]

Bologna Z/270
Bologna, Museo internazionale e biblioteca della musica, Z/270

Provenance and Date: Italy, late 17c or early 18c
Time Frame: 1700-1800
[Full Record]

Chigi Q.IV.24
Rome, Biblioteca Apostolica Vaticana, Chigi, Q. IV. 24

Provenance and Date: Rome, 1636-1637
Time Frame: 1600-1650
Notes: This manuscript is in the hand of Frescobaldi’s assistant, Leonardo Castellani.
[Full Record]

Chigi Q.IV.25
Rome, Biblioteca Apostolica Vaticana, Chigi, Q. IV. 25

Provenance and Date: Rome, c. 1620 - after 1643
Time Frame: 1600-1650
Notes: The compositions in this manuscript were entered by Frescobaldi’s assistant Nicolò Borbone.
[Full Record]

Chigi Q.IV.27
Rome, Biblioteca Apostolica Vaticana, Chigi, Q. IV. 27

Provenance and Date: Rome, 1630-1640
Time Frame: 1600-1650
[Full Record]

Chigi Q.IV.29
Rome, Biblioteca Apostolica Vaticana, Chigi, Q. IV. 29

Provenance and Date: Rome, c. 1608-1637
Time Frame: 1600-1650
Notes: Claudio Annibaldi has identified Frescobaldi as the main scribe of this manuscript, and the works in his hand are now believed to be his compositions,.
[Full Record]

Chigi Q.VIII.205-206
Rome, Biblioteca Apostolica Vaticana, Chigi, Q. VIII. 205-206

Provenance and Date: Rome, mostly 1630-1650
Time Frame: 1600-1650
[Full Record]

Cologny T.II.1
Cologny (Geneva), Biblioteca Bodmeriana, Musik T. II. 1 [or MSS 11637 and 11638?]

Provenance and Date: Northern Italy, 1640-1670
Time Frame: 1650-1700
Notes: In addition to the four listed unica, the MS includes F.2.01 and F.2.06, with some variants, and all of Toccate II (1627), except for the versets and four correnti. The four unica and the two pieces from Toccate I are preceded by the statement: “Seguono altre toccate Dell’istess’Autore raccolte dagl’altri Libri.” At one time this MS was believed to be a Frescobaldi autograph, and a page is reproduced in Reimann (1955), but see Darbellay (1975-1).
[Full Record]

Florence 2358
Florence, Biblioteca del Conservatorio, Ms. D. 2358

Provenance and Date: Medici (Florence), late 17c
Time Frame: 1650-1700
Notes: This MS is sometimes listed erroneously as Florence, Biblioteca del Conservatorio, Ms. D. 2534.
[Full Record]

London 23623
London, British Library, Add. MS 23623

Provenance and Date: Antwerp, 1628-1629
Time Frame: 1600-1650
RISM ID: 20040806350936
[Full Record]

London 31422
London, British Library, Add. MS 31422

Provenance and Date: England, middle or second half of 17c
Time Frame: 1650-1700
RISM ID: 20040806931683
Notes: Scribe: Francis North [1637-1685]. Contains a copy of F 3.04.
[Full Record]

London 36661
London, British Library, Add. Ms. 36661

Provenance and Date: England, late 17c
Time Frame: 1650-1700
Notes: The pieces attributed to Frescobaldi are preceded by 8 pieces (a Prelude and 7 Toccatas) attributed to Bernardo Pasquini. The rest of the manuscript consists of English repertory.
[Full Record]

London 40080
London, British Library, Add. Ms. 40080

Provenance and Date: Rome, 1635-1641
Time Frame: 1600-1650
RISM ID: 20040806149605
Notes: Scribe: Nicolò Borbone. On the title page: “Fioretti d[e]l Frescobaldi”
[Full Record]

Naples 73
Naples, Conservatorio S. Pietro a Majella, M.S. 34.5.28 olim 73

Provenance and Date: Naples, 1675
Time Frame: 1650-1700
Notes: Includes F 12.17 and F 12.27.
[Full Record]

Oxford 1113
Oxford, Christ Church Library, MS 1113

Provenance and Date: Oxford, 1650s
Time Frame: 1650-1700
Notes: Scribe: William Ellis. Interspersed with the entire content of Toccate I (1616) are anonymous Italianate pieces. A few of those have concordances to Roman sources; see Silbiger (1981-2).
[Full Record]

Paris 64
Paris, Bibliothèque nationale de France, Rés. Vmc. ms. 64

Provenance and Date: Rome, 1607-1637
Time Frame: 1600-1650
Notes: Jeanneret (2015) determined this manuscript to be in the hand of Frescobaldi.
[Full Record]

Paris 965
Paris, Bibliothèque nationale de France, Rés. Vma. ms. 965

Provenance and Date: Venice, first half 18c
Time Frame: 1700-1800
Notes: PARTITURE DI GEROLAMO FRESCOBALDI, AD USUM AUGUS.niI BONAVEN.re COLETTI (Organist at S. Mark’s in Venice, 1714-1736).
[Full Record]

Prontera 1
Brindisi, private collection (Cosimo Prontera), Prontera 1

Provenance and Date: Bologna/Milan and Naples (?), c.1620
Time Frame: 1600-1650
[Full Record]

Ravenna 545
Ravenna, Biblioteca comunale Classense, 545

Provenance and Date: Ravenna, 1630-1640
Time Frame: 1600-1650
Notes: Inscription on title page: “Libro di fra Gioseffo da Ravenna. Opere di diversi Autori, di Girolamo Frescobaldi, d’Ercol Pasquino, Cesare Argentini, Incert’ Autore”
[Full Record]

Rome Doria 250 B
Rome, Archivio Doria-Pamphili, Fondo musicale, 250/B

Provenance and Date: Rome, 1630-1650
Time Frame: 1600-1650
[Full Record]

San Gimignano F.S.M. 58
San Gimignano, Biblioteca comunale, F.S.M. 58

Provenance and Date: San Gimignano, 17c
Time Frame: 1650-1700
[Full Record]

Sarnen 115
Sarnen, Frauenkonvent, Musikbibliothek, Musikbibl.Anon.115

Notes: According to Jeanneret (2009), 450, this MS contains a composition attributed to Frescobaldi.
[Full Record]

Vat. Mus. 569
Rome, Biblioteca Apostolica Vaticana, Ms. Vat. mus. 569

Provenance and Date: Rome, c. 1660-1663
Time Frame: 1650-1700
Notes: A Corrente by Sig. Pietro Arnò on fol. 44v has the same opening phrase as F 2.20, but no further resemblances.
[Full Record]

Venice 1299
Venice, Biblioteca nazionale Marciana, Cod. It. IV-1299

Provenance and Date: Venice, 19c
Time Frame: 1800-1900
Notes: Scribe: Bernardo Mantuaner. “Canzoni...del celebre Sig. Geronimo Frescobaldi...ridotte ad un moderna & facile lettura da Bernardo Mantuaner.” The reading of many pieces in this collection are problematic. One is not quite sure whether this is the result of incompetence on the part of the composer or of the copyist, or perhaps both.
[Full Record]

Venice 1727
Venice, Biblioteca nazionale Marciana, Cod. It. IV-1727

Provenance and Date: Venice, 19c
Time Frame: 1800-1900
[Full Record]

Verona MCXXIX
Verona, Biblioteca capitolare, Cod. MCXXIX

Provenance and Date: (Unknown Provenance), 1703
Time Frame: 1700-1800
[Full Record]

Vicenza 2.7.17
Vicenza, Biblioteca civica Bertoliana, Mus. Ms. FF 2.7.17

Provenance and Date: Vicenza, 18c
Time Frame: 1700-1800
[Full Record]