The Frescobaldi Thematic Catalogue Online

F 15.63 Canzona
Composer: Frescobaldi or Ercole Pasquini?
Key/Signature: A /♮
Scoring: Keyboard
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TOCCATE I (1615-1637)
Notes: The two volumes of TOCCATE were widely distributed and often copied. Their composition and publication histories are, however, complex and confusing. Some of the reported “editions” are merely reprints with a new or updated title page. On the other hand, surviving exemplars of a single edition are not always identical. The following three editions of TOCCATE I are considered distinct sources because of significant differences in their content, as shown here after their short titles: Toccate I (1615): F 2.01 to F 2.12 and F 2.35 to F 2.37, Toccate I (1616): F 2.01 to F. 2.20, Toccate I (1637): F 2.01 to F 2.34. A second edition was issued in 1618 and a third one in 1628, but their content does not differ from the edition of 1616. More details in the cited references, particularly in Darbellay (1988), Hammond (1983) and (2002), Silbiger (2014) and in the critical commentary to the Stembridge 1.2 edition.
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Anderson (1977)
Anderson, Lyle J. “Cecilia A/400: Commentary, Thematic Index, and Partial Edition.” MM thesis, University of Wisconsin-Madison, 1977.
Date Published: 1977
Pages:
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Hammond (1983)
Hammond, Frederick. Girolamo Frescobaldi. Cambridge, MA: Harvard University Press, 1983.
Date Published: 1983
Pages: 297
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Hammond (2002)
Hammond, Frederick. Girolamo Frescobaldi. Trans. Roberto Pagano. Palermo: L’Epos, 2002.
Date Published: 2002
Pages: 387
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Silbiger (1980-1)
Silbiger, Alexander. Italian Manuscript Sources of 17th Century Keyboard Music, Studies in Musicology. Ann Arbor, Mich.: UMI Research Press, 1980.
Date Published: 1980
Pages: 51, 140-141
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SCKM 13
Silbiger, Alexander, ed. Rome, Biblioteca del Conservatorio di Musica Santa Cecilia, MS A/400, 17th Century Keyboard Music 13. New York: Garland Pub., 1987.
Date Published: 1987
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