The Frescobaldi Thematic Catalogue Online

The Frescobaldi Thematic Catalogue Online

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Fantasie (1608)

Full Title: Girolamo Frescobaldi, Il primo libro delle fantasie a quattro (Milan: Simon Tini, & Filippo Lomazzo, 1608)

Provenance and Date: Milan, 1608
Time Frame: 1600-1650
RISM ID: F 1855

+- Compositions in Source

F 6.01 Fantasia prima sopra un soggietto
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 6.02 Fantasia seconda sopra un soggietto solo
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 6.03 Fantasia terza sopra un soggietto solo
Composer: Frescobaldi
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 6.04 Fantasia quarta sopra doi soggietti
Composer: Frescobaldi
Key/Signature: A /♭
Scoring: Keyboard
[Full Record]

F 6.05 Fantasia quinta sopra doi soggietti
Composer: Frescobaldi
Key/Signature: F /♮
Scoring: Keyboard
[Full Record]

F 6.06 Fantasia sesta sopra doi soggietti
Composer: Frescobaldi
Key/Signature: F /♮
Scoring: Keyboard
[Full Record]

F 6.07 Fantasia settima sopra tre soggietti
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 6.08 Fantasia ottavo sopra tre soggietti
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 6.09 Fantasia nona sopra tre soggietti
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 6.10 Fantasia decima sopra quattro soggietti
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 6.11 Fantasia undecima sopra quattro soggietti
Composer: Frescobaldi
Key/Signature: D /♭
Scoring: Keyboard
[Full Record]

F 6.12 Fantasia duodecima sopra quattro soggietti
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
[Full Record]

+- Canonical Publications

FANTASIE (1608)
Notes: The first of Frescobaldi’s canonic keyboard publications was never republished in his lifetime and only a single copy is extant (in Bologna). Fewer manuscript copies survive than for any of the other publications. One of those copies, Berlin L121, was formerly believed to be in the hand of Bernardo Pasquini but that attribution has now been discredited.
[Full Record]

+- Literature

Apel (1972)
Apel, Willi. The History of Keyboard Music to 1700. Translated and revised by Hans Tischler. Bloomington, IN: Indiana University Press, 1972.
Date Published: 1972
Pages: 449-452
[Full Record]

Hammond (1983)
Hammond, Frederick. Girolamo Frescobaldi. Cambridge, MA: Harvard University Press, 1983.
Date Published: 1983
Pages: 117-133, 274-275
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Hammond (2002)
Hammond, Frederick. Girolamo Frescobaldi. Trans. Roberto Pagano. Palermo: L’Epos, 2002.
Date Published: 2002
Pages: 199-212, 361-362
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Judd (2003)
Judd, Robert. “Italy.” In Keyboard Music Before 1700, ed. Alexander Silbiger. 2nd ed. New York: Routledge, 2003.
Date Published: 2003
Pages: 282-283
[Full Record]

Newcomb (1987)
Newcomb, Anthony. “The Anonymous Ricercars of the Bourdenay Codex.” In Silbiger (1987-1), 97–123.
Date Published: 1987
Pages: 110
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Riedel (1987)
Riedel, Friedrich. “The Influence and Tradition of Frescobaldi's Works in the Transalpine Countries.” in Silbiger (1987-1), 218–232.
Date Published: 1987
Pages: 210
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+- Modern Editions

Opere complete VI
Frescobaldi, Girolamo. Il Primo libro dei madrigali a cinque voci, 1608. Opere Complete 6, eds. Lorenzo Bianconi and Massimo Privitera. Milan: Suvini Zerboni, 1996.
Date Published: 1996
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Pidoux 1
Frescobaldi, Girolamo. Fantasie (1608) und Canzoni alla Francese (1645). Orgel- und Klavierwerke 1, ed. Pierre Pidoux. Kassel, Bärenreiter-Verlag, 1949
Date Published: 1949
[Full Record]