The Frescobaldi Thematic Catalogue Online

F 2.16 Partite sopra Folia
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.16.01 Partite sopra Folia. Prima parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.16.02 Partite sopra Folia. Seconda parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.16.03 Partite sopra Folia. Terza parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.16.04 Partite sopra Folia. Quarta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.16.05 Partite sopra Folia. Quinta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.16.06 Partite sopra Folia. Sesta parte
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 2.18 Corrente seconda
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
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F 2.19 Corrente terza
Composer: Frescobaldi
Key/Signature: F /♭
Scoring: Keyboard
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F 2.20 Corrente quarta
Composer: Frescobaldi
Key/Signature: G /♭
Scoring: Keyboard
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F 15.01 Corrente
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
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F 15.02 Romanesca
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
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F 15.02.01 Romanesca, pa parte
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
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F 15.02.02 Romanesca, 2a parte
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
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F 15.02.03 Romanesca, 3a Parte
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
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F 15.02.04 Romanesca, 4a Parte
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
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TOCCATE I (1615-1637)
Notes: The two volumes of TOCCATE were widely distributed and often copied. Their composition and publication histories are, however, complex and confusing. Some of the reported “editions” are merely reprints with a new or updated title page. On the other hand, surviving exemplars of a single edition are not always identical. The following three editions of TOCCATE I are considered distinct sources because of significant differences in their content, as shown here after their short titles: Toccate I (1615): F 2.01 to F 2.12 and F 2.35 to F 2.37, Toccate I (1616): F 2.01 to F. 2.20, Toccate I (1637): F 2.01 to F 2.34. A second edition was issued in 1618 and a third one in 1628, but their content does not differ from the edition of 1616. More details in the cited references, particularly in Darbellay (1988), Hammond (1983) and (2002), Silbiger (2014) and in the critical commentary to the Stembridge 1.2 edition.
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Fabris (2013)
Fabris, Dinko. "Frescobaldi et les Napolitains: une nouvelle source." In A Fresco: Mélanges offerts au Professeur Etienne Darbellay, eds. Brenno Boccadero and George Starobinski, 27-49. Bern: Peter Lang, 2013.
Date Published: 2013
Pages:
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Jeanneret (2009)
Jeanneret, Christine. L'œuvre en filigrane: Une étude philologique des manuscrits de musique pour clavier à Rome au XVIIe Siècle, Historiae Musicae Cultores, 116. Florence: Olschki, 2009.
Date Published: 2009
Pages: 109-115
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