The Frescobaldi Thematic Catalogue Online

Krakow [formerly Berlin] 40316

Full Title: Krakow, Biblioteka Jagiellonska, Mus. ms. 40316 [formerly Berlin, Staatsbibliothek, Mus. ms. 40316]

Provenance and Date: Brussels, c1609 (for Frescobaldi entries)
Time Frame: 1600-1650

Notes: In late 19c and early 20c literature this MS is referred to by it earlier shelfmark Ms. 191. For many years the MS was believed to have been lost during World War II, although a photocopy was preserved in the Harvard Music Library. In 1982 it was discovered to reside in Krakow. Riedel (1987) states that Krakow 40316 includes 8 fantasias, a toccata, a capriccio, and a “partite,” all by Frescobaldi, but according to the original ToC it contained only 4 fantasias (one now missing because of the missing fols. 61 and 62) and a partite set. The manuscript is in two-staff keyboard notation. Dating from the detailed study by David Smith.

+- Compositions in Source

F 6.07 Fantasia settima sopra tre soggietti
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 6.08 Fantasia ottavo sopra tre soggietti
Composer: Frescobaldi
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 6.09 Fantasia nona sopra tre soggietti
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 6.10 Fantasia decima sopra quattro soggietti
Composer: Frescobaldi
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 15.30 Partite sopra un aria Romana detta la Manista [Monaca] [1. parte]
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.30.01 Partite sopra un aria Romana detta la Manista [Monaca] [1. parte]
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.30.02 Partite sopra un aria Romana detta la Manista Seconda Parti
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.30.03 Partite sopra un aria Romana detta la Manista Terza Parte
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.30.04 Partite sopra un aria Romana detta la Manista Quarta Parte
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.30.05 Partite sopra un aria Romana detta la Manista Quinta Parte
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.30.06 Partite sopra un aria Romana detta la Manista Sesta Parte
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.32 Toccata
Composer: Frescobaldi (doubtful)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 15.42c [Canzona] sopra il Gu Gu
Composer: Frescobaldi (possibly)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

+- Canonical Publications

FANTASIE (1608)
Notes: The first of Frescobaldi’s canonic keyboard publications was never republished in his lifetime and only a single copy is extant (in Bologna). Fewer manuscript copies survive than for any of the other publications. One of those copies, Berlin L121, was formerly believed to be in the hand of Bernardo Pasquini but that attribution has now been discredited.
[Full Record]

+- Literature

Apel (1962)
Apel, Willi. “Die handschriftliche Überlieferung der Klavierwerke Frescobaldis.” In Festschrift Karl Gustav Fellerer zum sechzigsten Geburtstag, edited by Heinrich Hüschen, 40-45. Regensburg: Bosse, 1962.
Date Published: 1962
Pages: 43, 45
[Full Record]

Apel (1972)
Apel, Willi. The History of Keyboard Music to 1700. Translated and revised by Hans Tischler. Bloomington, IN: Indiana University Press, 1972.
Date Published: 1972
Pages: 482
[Full Record]

Hammond (1983)
Hammond, Frederick. Girolamo Frescobaldi. Cambridge, MA: Harvard University Press, 1983.
Date Published: 1983
Pages: 290
[Full Record]

Hammond (2002)
Hammond, Frederick. Girolamo Frescobaldi. Trans. Roberto Pagano. Palermo: L’Epos, 2002.
Date Published: 2002
Pages: 378-379
[Full Record]

Riedel (1987)
Riedel, Friedrich. “The Influence and Tradition of Frescobaldi's Works in the Transalpine Countries.” in Silbiger (1987-1), 218–232.
Date Published: 1987
Pages:
[Full Record]

Schierning (1961)
Schierning, Lydia. Die Überlieferung der deutschen Orgel- und Klaviermusik aus der ersten Hälfte des 17. Jahrhunderts: Eine quellenkundliche Studie. Schriften des Landesinstituts für Musikforschung, Kiel. Kassel: Bärenreiter, 1961.
Date Published: 1961
Pages: 84-86
[Full Record]

Silbiger (1980-1)
Silbiger, Alexander. Italian Manuscript Sources of 17th Century Keyboard Music, Studies in Musicology. Ann Arbor, Mich.: UMI Research Press, 1980.
Date Published: 1980
Pages: 61, 190
[Full Record]

Silbiger (2013)
Silbiger, Alexander. "Four Centuries of Frescobaldi Reception: How His Music Made Its Way through the World from His Time to Ours." In A Fresco: Mélanges offerts au Professeur Etienne Darbellay, eds. Brenno Boccadero and George Starobinski, 81-89. Bern: Peter Lang, 2013.
Date Published: 2013
Pages: 94-96
[Full Record]

Smith (2009)
Smith, David. “Early Seventeenth-Century Keyboard Culture at the Court of the Archdukes in Brussels: The Manuscript Kraków, Biblioteca Jagiello´nska, Mus. MS 40316,” Revue Belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 83 (2009): 67-98
Date Published: 2009
Pages:
[Full Record]

+- Modern Editions

Shindle-Frescobaldi
Frescobaldi, Girolamo. Keyboard Compositions Preserved in Manuscripts. 3 vols. Corpus of Early Keyboard Music 30. Ed. W. Richard Shindle. [Dallas]: American Institute of Musicology, 1968/1982.
Date Published: 1968
[Full Record]