The Frescobaldi Thematic Catalogue Online

The Frescobaldi Thematic Catalogue Online

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Chigi Q.VIII.205-206

Full Title: Rome, Biblioteca Apostolica Vaticana, Chigi, Q. VIII. 205-206

Provenance and Date: Rome, mostly 1630-1650
Time Frame: 1600-1650

+- Compositions in Source

F
Composer:
Key/Signature:
Scoring:
[Full Record]

F
Composer:
Key/Signature:
Scoring:
[Full Record]

F
Composer:
Key/Signature:
Scoring:
[Full Record]

F 2.29 Cento partite sopra passacagli
Composer: Frescobaldi
Key/Signature: D /♮to E /♮
Scoring: Keyboard
[Full Record]

F 13.36S Alleluia [1]
Composer: Virgilio Mazzocchi
Key/Signature: A /♮
Scoring: C, C, Bc
[Full Record]

F 13.37S Alleluia [2] [fragment]
Composer: Virgilio Mazzocchi
Key/Signature: C /♮
Scoring: C, C, Bc
[Full Record]

F 13.38S Omnes santci
Composer: Virgilio Mazzocchi
Key/Signature: G /♭
Scoring: C, C, B, Bc
[Full Record]

F 13.39 Arpeggiate
Composer: Frescobaldi
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 13.40 [Verset]
Composer: Frescobaldi (possibly)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 14.49 Passagalli [incomplete]
Composer: Frescobaldi (probably)
Key/Signature: D /♮to G /♭
Scoring: Keyboard
[Full Record]

F 14.50 Ballo a 3
Composer: Frescobaldi (probably)
Key/Signature: G /♮
Scoring: Vn, Vn, Archlute, Bc
[Full Record]

F 14.51 [Canzona] a 2
Composer: Frescobaldi (probably)
Key/Signature: A /♮
Scoring: See Notes
[Full Record]

F 14.51 [Canzona] a 2
Composer: Frescobaldi (probably)
Key/Signature: A /♮
Scoring: See Notes
[Full Record]

F 14.52 Canzona a 2
Composer: Frescobaldi (probably)
Key/Signature: F /♭
Scoring: Vn, Theorbo, Bc
[Full Record]

F 14.53 Canzona a due, canto e basso
Composer: Frescobaldi (probably)
Key/Signature: G /♮
Scoring: C, B, Bc
[Full Record]

F 14.54 Canzona, Violino Solo
Composer: Frescobaldi (probably)
Key/Signature: A /♮
Scoring: Vn, Bc
[Full Record]

F 14.55 Dominus Virtutum, Basso solo
Composer: Frescobaldi (possibly)
Key/Signature: G /♮
Scoring: Not Specified
[Full Record]

F 14.56 Fantasia
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 14.57 Recercare
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 14.58 Toccata [incomplete]
Composer: Frescobaldi (probably)
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 14.59 Toccata
Composer: Frescobaldi (disputed)
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 14.60 Toccata
Composer: Frescobaldi (doubtful)
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

F 14.61 Balletto
Composer: Frescobaldi (disputed)
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 14.62 Corrente
Composer: Frescobaldi (disputed)
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 14.64 Ruggiero
Composer: Frescobaldi (probably)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 14.64.01 Ruggiero
Composer: Frescobaldi (probably)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 14.64.02 Ruggiero, 2. Parte
Composer: Frescobaldi (probably)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 14.64.03 Ruggiero, 3. Parte
Composer: Frescobaldi (probably)
Key/Signature: G /♮
Scoring: Keyboard
[Full Record]

F 14.65 Hinno per le domeniche di tutto l’anno: Lucis creator optime
Composer: Frescobaldi (probably)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 14.66 Hinno della pentecoste: Veni creator spiritus
Composer: Frescobaldi (probably)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 14.67 Hinno degli Apostoli
Composer: Frescobaldi (probably)
Key/Signature: E /♮
Scoring: Keyboard
[Full Record]

F 14.68 Hinno di Natale: Christe redemptor omnium
Composer: Frescobaldi (probably)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 14.69 Balletto [incomplete]
Composer: Frescobaldi (probably)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 14.69.01 Balletto [incomplete] [Prima parte]
Composer: Frescobaldi (probably)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 14.69.02 Balletto [incomplete] , 2. Parte
Composer: Frescobaldi (probably)
Key/Signature: C /♮
Scoring: Keyboard
[Full Record]

F 14.70 Toccata
Composer: Frescobaldi (probably)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 14.71 Corrente
Composer: Frescobaldi (possibly)
Key/Signature: G /♭
Scoring: Keyboard
[Full Record]

F 15.16a Corrente
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 15.16b Corrente
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 15.16c Corrente
Composer: Frescobaldi (possibly)
Key/Signature: D /♮
Scoring: Keyboard
[Full Record]

F 15.63 Canzona
Composer: Frescobaldi or Ercole Pasquini?
Key/Signature: A /♮
Scoring: Keyboard
[Full Record]

+- Canonical Publications

TOCCATE I (1615-1637)
Notes: The two volumes of TOCCATE were widely distributed and often copied. Their composition and publication histories are, however, complex and confusing. Some of the reported “editions” are merely reprints with a new or updated title page. On the other hand, surviving exemplars of a single edition are not always identical. The following three editions of TOCCATE I are considered distinct sources because of significant differences in their content, as shown here after their short titles: Toccate I (1615): F 2.01 to F 2.12 and F 2.35 to F 2.37, Toccate I (1616): F 2.01 to F. 2.20, Toccate I (1637): F 2.01 to F 2.34. A second edition was issued in 1618 and a third one in 1628, but their content does not differ from the edition of 1616. More details in the cited references, particularly in Darbellay (1988), Hammond (1983) and (2002), Silbiger (2014) and in the critical commentary to the Stembridge 1.2 edition.
[Full Record]

TOCCATE II (1627-1637)
Notes: See the Notes on TOCCATE I.(1615-1637).The following two editions of Toccate II are considered distinct sources here because of differences in their content, as shown below: Toccate II (1627): F 3.01 to 3.40, Toccate II (1637): F 3.02 to 3.38. (F 3.39 and F 3.40 were removed.)
[Full Record]

+- Literature

Annibaldi (1990)
Annibaldi, Claudio. “Musical Autographs of Frescobaldi and His Entourage.” Journal of the American Musicological Society 43 (1990): 393-425.
Date Published: 1990
Pages:
[Full Record]

Darbellay (1986-1)
Darbellay, Étienne. “I manoscritti Chigi Q.IV.24 e Q.VIII.205-206 come fonti frescobaldiane: criteri filologici di autenticità.” In Durante (1986), 107-123.
Date Published: 1986
Pages:
[Full Record]

Durante (1986)
Durante, Sergio and Dinko Fabris, eds. Girolamo Frescobaldi: nel quarto centenario della nascita, Atti del convegno internazionale di studi (Ferrara, 9-14 settembre 1983). Florence: Olschki, 1986.
Date Published: 1986
Pages:
[Full Record]

Hammond (1983)
Hammond, Frederick. Girolamo Frescobaldi. Cambridge, MA: Harvard University Press, 1983.
Date Published: 1983
Pages: 296-297
[Full Record]

Hammond (2002)
Hammond, Frederick. Girolamo Frescobaldi. Trans. Roberto Pagano. Palermo: L’Epos, 2002.
Date Published: 2002
Pages: 386
[Full Record]

Jeanneret (2009)
Jeanneret, Christine. L'œuvre en filigrane: Une étude philologique des manuscrits de musique pour clavier à Rome au XVIIe Siècle, Historiae Musicae Cultores, 116. Florence: Olschki, 2009.
Date Published: 2009
Pages: 328-373
[Full Record]

Lincoln (1964-67)
Lincoln, Harry. “I manoscritti chigiani di musica organo-cembalistica della Biblioteca Apostolica Vaticana.” L’Organo 5 (1964-67): 63-82.
Date Published: 1968
Pages: 75-80
[Full Record]

Silbiger (1980-1)
Silbiger, Alexander. Italian Manuscript Sources of 17th Century Keyboard Music, Studies in Musicology. Ann Arbor, Mich.: UMI Research Press, 1980.
Date Published: 1980
Pages: 132-134, 155
[Full Record]

+- Modern Editions

Shindle-Frescobaldi
Frescobaldi, Girolamo. Keyboard Compositions Preserved in Manuscripts. 3 vols. Corpus of Early Keyboard Music 30. Ed. W. Richard Shindle. [Dallas]: American Institute of Musicology, 1968/1982.
Date Published: 1968
[Full Record]